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One place and someplace else, (detail), 2019

One place and someplace else, (detail), 2019, Acrylic rod and wooden dowels, 95 x 48 x 4cm

Rain Bow, 2018, Wire coat hanger and paper quill

Reading (silently) in Public, 2018, Performance in the public collections, Tate Modern, London

Performance for PRODUCTIONPRODUCTIONPRODUCTION where I read Sally O'Reilly's Crude in the public collections of Tate Modern, Duration 6 hours
Images show two of the four locations I used to read

Snag, 2008, Wood, gloss paint, fur and velvet, 245 x 50 x 50 cm

Shown in Brave Not Beige, Bristol, 2008,

Snag, (detail), 2008, Wood, gloss paint, fur and velvet, 245 x 50 x 50 cm

Snag, 20 legs of sumptuous jaded pink holding up, (and held down by), a fur stole whose glass eyes followed the audience round the room. The work is not fixed to the ground and relies on its own innate balance.

Gemma, (documentation), 2008
Performance at the opening of Brave not Beige, Bristol, Duration 30 mins

Gemma was employed to 'perform' at the opening of Brave not Beige, an exhibition in which I had two works including Snag (above). Gemma was not disclosed on the floor plan but her presence acted as both a compliment to and a distraction from the work.

Ballet Pink, (detail), 2008, Wood, gloss paint and fabric, 240 x 60 x 50 cm

Ballet Pink, 2008, Wood, gloss paint and fabric, 240 x 60 x 50 cm

Souvenir, 2009, Found paper bag, wood and glue, 38 x 12.5 x 9.5 cm

Folie de grandeur, 2008, Card and glue, 15.5 x 20 x 8 cm